The following article first appeared in the
February 1999 edition of the Rakumi Arts Newsletter.
Coinciding with the American release of his most recent Putumayo
Artists CD, Habib Koité will make a brief appearance at Festival
Sundiata on Saturday, February 13 and, that same afternoon, he’ll
also do a short performance at the Borders Bookstore in downtown
Seattle. The CD, titled MaYa, was at the top of the European World
music charts for much of 1998. Now it is generating similar enthusiasm
in North America and is a favorite of World Music programmers on
non-profit radio stations in the Seattle area such as KCMU, KBCS,
and KSER.
A guitarist and vocalist, Habib is also leader
of his band Bamada. The sound is a beautiful mix of traditional
and modern elements. It’s an acoustic sound in an "unplugged" fashion
with balophone and other West African instruments along with guitar,
bass and drums. Unfortunately, on this visit to Seattle, Habib is
on his own and will not have his band to back him.
Born in 1958, Habib Koité comes from a noble
lineage of Khassonké Griots. He developed his unique guitar style
accompanying his griot mother. He inherited his passion for music
from his paternal grandfather who played the n’goni, a traditional
four-stringed instrument associated with Wassolou hunters. "Nobody
really taught me to sing or to play the guitar," explains Habib.
"I watched my parents, and it washed off on me."
Habib was headed for a career as an engineer,
but at the insistence of his uncle, who recognized Habib’s musical
talent, he enrolled at the National Institute of Arts (INA) in Bamako,
Mali. In 1978, after only six months he was made conductor of Ina
Star, the school’s prestigious band. He studied music for four years,
graduating at the top of his class in 1982. (In fact, his talent
was so impressive that upon graduation, the INA hired him as a guitar
teacher). During his studies, Habib had the opportunity to perform
and play with a series of recognized Malian artists; including Kélétigui
Diabaté and Toumani Diabate. He sang and played on Diabetes 1991
release Shake the World (Sony).
In 1988, Habib formed his own group, Bamada (a
nickname for residents of Bamako that roughly translates to ‘in
the mouth of the crocodile’), with young Malian musicians who had
been friends since childhood. In 1991, Habib Koité won first prize
at the prestigious Voxpole Festival in Perpignan, France which enabled
him to record two songs. One of those tracks, ‘Cigarette A Bana’
(The Cigarette is Finished) was a hit throughout West Africa. After
the release of a successful single entitled, ‘Nanalé" (The Swallow)
Habib received the prestigious, Radio France International (RFI)
Decouvertes prize This award made it possible for the group to undertake
their first tour outside of Africa during the summer of 1994.
Habib takes some unique approaches to playing
the guitar. He tunes his instrument to the pentatonic scale and
plays on open strings as one would on a kamale n’goni, a six-stringed
kora-like instrument. At other times, Habib plays music that sounds
closer to blues or flamenco, two styles he studied under Khalilou
Traoré, a veteran of the legendary Afro-Cuban band Maravillas du
Mali. Unlike the Griots, his singing style is restrained and intimate,
with varying-cadenced rhythms and melodies. He can distance himself
from pure Malinke music by introducing Bùbù, Songhaï and Peul rhythms.
The basic style here is danssa, an exuberant rhythm from the Khasso
region which Habib Koité helped to popularize by incorporating modern
musical expressions.
In January 1995, Habib met his current manager,
Belgian Michele De Bock. They decided to work together and recorded
his first album Muso Ko. Upon its release, the album quickly reached
#3 in the European World-Music Charts. From that point forward,
Habib became a fixture on the European festival circuit and began
to spread, his infectious music and high energy shows around the
world. He has visited North America only briefly, performing at
the New Orleans Jazz & Heritage Festival, the Montreal Jazz Festival
and the Houston International Festival in 1997. His showcase performances
in Seattle are free of charge as follows: Borders Books, 1pm, Saturday,
February 13, at 1501 Fourth Ave, Seattle Festival Sundiata 6pm,
Saturday, February 13, at the Seattle Center, Center House Stage.
Friday morning, February 12, Habib will appear on 94.9 KUOW’s Weekday
program (between 10-11am) and on KCMU 90.3 (approximately 11am).