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Baaba Maal performed at Festival Sundiata
at the Seattle Center Flag Pavilion in February, 1997. This article
previewed that performance.
One of Africa’s finest contemporary musical
artists, Senegal’s Baaba Maal, returns to Seattle for a Valentine’s
Day performance at the Seattle Center the evening of Friday, February
14. The concert/dance is a "pre-Festival" event sponsored by Festival
Sundiata, the Pacific Northwest’s finest African and African American
cultural festival which takes place, February 15, 16, and 17 at
the Seattle Center.
African music lovers fondly remember Maal’s shows
of years past at The Backstage and as a part of the stunning Africa
Fête tour. His music combines the timeless Fulani musical traditions
of the tiny northern Senegalese villages in which he grew up with
the musical cutting edge of contemporary Western music. Maal’s melding
of guitar, bass, keyboards, and drums with the 21-string kora, sabar
drum, and other traditional instruments of Africa produces Senegalese
rhythms that quickly arouse one’s urges to dance. Fortunately, the
Flag Pavilion will be configured with a large dance floor to accommodate
just such needs in addition to abundant concert seating.
In explaining his music, Baaba Maal emphasizes
that, "The base of all music in Senegal is traditional. Music has
a role and importance in society and life. If I do a record, I don’t
calculate whether it’s going to sell; it’s simply a natural part
of me, an extension of myself, because music is something I do all
the time."
The most prominent of the ancient rhythms adopted
by Baaba Maal is the Yela. "The Yela is a very old kind of music,
" says Maal, "but I have modernized it using western instruments
while maintaining the melodies of traditional songs. Yela comes
from the old empire, before colonization, before even the Muslims
came to Africa from the Middle East. When something happened in
the empire, they used to play it to call people to listen. If the
king wanted to tell his people something important, they would play
Yela to bring people to listen."
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