AyanAgalu performed at the Davey Jones (aka Flag Pavilion
at the Seattle Center) Friday May 18th, 2001. The performance was
presented by the Seattle International Children's Festival and Rakumi
Arts.
The following article is from the AyanAgalu website, which is part
of the Graviton
African Arts Network, and appears here courtesy of
Graviton.
The Yoruba:
One of Africa's richest and most studied cultures, the Yoruba people
comprise some 30 million who live predominantly in Southwestern
Nigeria and to a lesser extent in neighboring Togo. The Yoruba further
recognize a variety of regional dialects, and ethnic subdivisions
among what makes up the whole of Yorubaland.
Famous for the arts and enduring culture, emulations
and whole pieces of Yoruba arts and religion can be found throughout
the Americas where it migrated along with the slave trade informing
such seminal new world religions as Santeria (Cuba & the USA) and
Candomble (Brazil) to name a few.
Among the most sacred and ancient of Yoruba traditions
are Bata drumming and Egungun (ancestral) masquerades. Since the
time of the legendary Yoruba Kingdom of Oyo, Bata Drums and Egungun
Masquerades have fulfilled a central role the religious and cultural
lives of the Yoruba people.
Bata are conical shaped double-headed drums
associated with the Yoruba Thunder God Sango. Played in sets of
3 or more, the Bata play fast paced highly rhythmical patterns of
music. Like all instruments used by the Yoruba, Bata are considered
“talking” drums in that they are able to emulate the rhythmic and
tonal patterns of the spoken language and thereby communicate directly
with their audience. Because Bata are fixed pitch drums, they emulate
spoken glides through an elaborate cooperation between two drums
of different pitch, hence they are considered to be stammerers in
their speech. Bata drumming is some of the most ancient and elaborate
Yoruba music practiced today, almost contrapuntal in its complexity;
it is a fine example of ancient African creative genius.